In luminous detail, the book reveals the ways American women poets have engaged their own gendered anxieties and fears through their intimate encounters with Emily Dickinson.
How Much Editing Was Done to Emily Dickinson’s Poems After She Died?
Pollak, Emily Dickinson's work is an extended meditation on the risks of social, psychological, and aesthetic difference that would be taken up by the generations of women poets who followed her. She situates Dickinson's originality in relation to her nineteenth-century audiences, including poet, novelist, and Indian rights activist Helen Hunt Jackson and her controversial first editor, Mabel Loomis Todd, and traces the emergence of competing versions of a brilliant but troubled Dickinson in the twentieth century, especially in the writings of Marianne Moore, Sylvia Plath, and Elizabeth Bishop.
Pollak reveals the wide range of emotions exhibited by women poets toward Dickinson's achievement and chronicles how their attitudes toward her changed over time. She contends, however, that they consistently use Dickinson to clarify personal and professional battles of their own. Reading poems, letters, diaries, journals, interviews, drafts of published and unpublished work, and other historically specific primary sources, Pollak tracks nineteenth- and twentieth-century women poets' ambivalence toward a literary tradition that overvalued lyric's inwardness and undervalued the power of social connection.
Our Emily Dickinsons places Dickinson's life and work within the context of larger debates about gender, sexuality, and literary authority in America and complicates the connections between creative expression, authorial biography, audience reception, and literary genealogy. The poem is cryptic — it may be about the afterlife, or it may be about an actual lover; it may be a meditation on anger, helplessness and power.
One reading holds that it is a Dickinson backlash against having to write her poetry in secret — gun as language, waiting to go off. Interestingly Lyndall Gordon adapted the first line for the title of her book about the Dickinson family feuds to Lives Like Loaded Guns. Emily Dickinson loved riddles and this poem has an element of that playfulness.
Decorate your message with imagery and let the reader slowly grasp the meaning. Subscribers: to set up your digital access click here. To subscribe, click here. Simply close and relaunch your preferred browser to log-in. If you have questions or need assistance setting up your account please email pw pubservice. PW Edu. More from pw. The Most Anticipated Books of Fall PW Picks: Books of the Week.
- Self Esteem for Men: 10 Strategies to Help Build Your Self-Esteem?
- Capturing Cara: Science Fiction Romance (Dragon Lords of Valdier Book 2)!
- Quick Facts.
- Who Was Emily Dickinson??
- Lady Lissas Liaison (To Woo an Heiress Series, Book 1).
- Emily Dickinson's Mother, Emily Norcross?
Stay ahead with Tip Sheet! Free newsletter: the hottest new books, features and more. Parts of this site are only available to paying PW subscribers. Thank you for visiting Publishers Weekly. There are 3 possible reasons you were unable to login and get access our premium online pages.
- The Drag Queen That Just Would Not Go.
- Honeybees of Asia?
- Theory of Electroelasticity!
- Applied Psychology: India specific and cross-cultural perspectives.
Charles Dickens. Narratives And Satires. Three Deaths.click here
Women's History Month: Emily Dickinson - English | Colorado State University
Leo Tolstoy. Edward Bulwer-Lytton. A Select Party.
Works of Charlotte Mew. Charlotte Mew. Maurice Maeterlinck. The Haunted and the Haunters.
How did the prolific author's mother influence her writing talent?
Edward Bulwer Lytton. Mark Twain Samuel Clemens. Beauty And The Beast. Quest of the Golden Girl, a Romance. Richard Le Gallienne. The Spirit of Place and Other Essays.
Alice Christiana Thompson Meynell. Elizabeth Bishop. Words of Wisdom: Virginia Woolf.